The creation of “Ivory Towers” followed a disciplined, multi-stage approach rooted in traditional techniques—methods developed and refined by painters for more than 500 years.

The process began with the arrangement of the objects inside a shadow box, allowing for careful control over lighting, depth, and compositional rhythm. Once the lighting was perfected, a series of thumbnail sketches were made in pencil to explore structure and balance. A small color study followed—serving as both rehearsal and guide for the final piece.

The composition was then transferred onto a linen panel using a charcoal drawing. This initial sketch focused on establishing placement and proportion, setting the stage for the underpainting. The underpainting—a monochromatic version in shades of grey—was built slowly, mapping out form and light with clarity and precision. It served as the skeleton of the painting, grounding the composition before any color was introduced.

Over this dry foundation, layers of oil paint were added in translucent glazes and more opaque passages, depending on the surface being described. The gleam of porcelain, the diffuse softness of ceramic, and the matte finish of the unusual central object were each approached with a unique touch. Every shift in light and surface was rendered with intention.

This methodical layering process allowed the painting to achieve both optical depth and a quiet unity—bringing together disparate forms in a single, coherent atmosphere. Every step, from the first sketches to the final highlights, was executed with care, attention, and an eye toward enduring presence.